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Caravaggio. Esta es una parte del artículo de Wikipedia utilizado bajo la licencia CC-BY-SA. This painting, a variation on Caravaggio's masterpiece in The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). Arthive is a community of artists, collectors and art dealers.

The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). We make it easy to collect and publish everything about art, manage collections, and buy, sell and promote artworks. The central musician has been identified as Caravaggio's companion Mario Minniti and the other figure facing the viewer is possibly a self-portrait. This work is one of two paintings representing the same subject matter; the … The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610).

The painting is in poor condition, and the music in the manuscript has been badly damaged by past restorations, although a tenor and an alto part can be made out. It underwent extensive restoration in 1983. [3] The central figure with the lute has been identified with Caravaggio's companion Mario Minniti, and the individual next to him and facing the viewer is possibly a self-portrait of the artist. The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). There is still no description of this artwork. Nevertheless, despite considerable paint loss, the work's originality remains undimmed.

Caravaggio's style of painting is easily recognizable for its realism, intense chiaroscuro and the artist's emphasis on co-extensive space. Caravaggio has conceived the allegory in a style that remains intentionally and provocatively ambivalent.

It is held in the Metropolitan Museum of Art, New York, where it … [4], Portrait of a Courtesan (Fillide Melandroni), The Conversion of Saint Paul on the Road to Damascus, Madonna of Loreto (Madonna dei Pellegrini, Pilgrims' Madonna), Madonna and Child with St. Anne (Madonna de Palafrenieri), Portrait of Alof de Wignacourt and his Page, Nativity with St. Francis and St. Lawrence, https://en.wikipedia.org/w/index.php?title=The_Musicians_(Caravaggio)&oldid=963385494, Paintings of the Metropolitan Museum of Art, Creative Commons Attribution-ShareAlike License, Metropolitan Museum of Art, New York City, This page was last edited on 19 June 2020, at 14:47. The musicians are rehearsing madrigals and the lute player in the center is transported by the music, his wet eyes and …

Kathleen Gilje, Joseph GrigelyRecovering Lost Fictions is a project by contemporary artists Kathleen Gilje and Joseph Grigely that explores the ways in which art is reconfigured by the institutional processes devoted to its study, using the Del Monte version of The Musicians,recently restored by Gilje, as a case study. It is held in the Metropolitan Museum of Art, New York.

A group of musicians at work.

Google Arts & Culture features content from over 2000 leading museums and archives who have partnered with the Google Cultural Institute to bring the world's treasures online. Usually, in these times painters were presenting Music as a single, idealized female figure. Caravaggio usaría, a partir de esta obra, el tema de la música en sus cuadros. His biographer, the painter Baglione, says he "painted for the Cardinal youths playing music very well drawn from nature and also a youth playing a lute," the latter presumably being The Lute Player, which seems to form a companion-piece to The Musicians. Find out more about what data we collect and use at, Quick search helps finding an artist, picture, user or article and prompts your previous searches, Login to use Arthive functionality to the maximum, Register to use Arthive functionality to the maximum, This action is only available to registered users. The picture shows four boys in quasi-Classical costume, three playing various musical instruments or singing, the fourth dressed as Cupid and reaching towards a bunch of grapes. Track updates on Arthive. Con este cuadro, además, inicia la tradición de autorretratarse a menudo en sus obras, como lo hace en el joven de la derecha con el rostro girado hacia el espectador. En esta pintura se aprecia a un trío de jóvenes músicos, probablemente ensayando o dando un concierto. Caravaggio seems to have composed the painting from studies of two figures. Caravaggio seems to have composed the painting based on … [1], Scenes showing musicians were a popular theme at the time—the Church was supporting a revival of music and new styles and forms were being tried, especially by educated and progressive prelates such as Del Monte. It underwent extensive restoration in 1983. Scenes showing musicians were a favorite theme at the time. The Musicians is not a depiction of a contemporary concert, but an allegory of Music and Love. The Church was supporting a revival of music, and new styles were being tried, especially by educated and progressive Church officials. [1] The cupid bears a strong resemblance to the boy in Boy Peeling Fruit, done a few years before, and also to the angel in Saint Francis of Assisi in Ecstasy. The picture shows four boys in quasi-Classical costume, three playing various musical instruments or singing, the fourth dressed as Cupid and reaching towards a bunch of grapes. The Musicians 1597 Caravaggio (Michelangelo Merisi) Italian While Cupid confirms Caravaggio’s allegorical frame for representing Music, the artist equally engages with contemporary performance and individualized models, including a self-portrait in the second boy from the right. By using our website you accept our conditions of use of cookies to track data and create content (including advertising) based on your interest. It underwent extensive restoration in 1983.[1]. Boy Bitten by a Lizard. It was with some of his early masterpieces, such as The Cardsharps, that he caught the eye of Cardinal Francesco Maria del Monte.He subsequently became Caravaggio’s patron and commissioned many works from the artist, including The Musicians.

The manuscripts show that the boys are practicing madrigals celebrating love, and the eyes of the lutenist, the principal figure, are moist with tears—the songs presumably describe the sorrow of love rather than its pleasures. Subsequently the influence of Caravaggio became widespread; it appeared in the work of both Franz Halls and Rembrandt in Holland. Loggy and Alex’s friendship in Miami’s redeveloping Liberty Square is threatened when Loggy learns that Alex is being relocated to another community. Caravaggio entered the household of Cardinal Francesco Maria Del Monte sometime in 1595, and The Musicians is thought to have been his first painting done expressly for the cardinal. [4], This was Caravaggio's most ambitious and complex composition to date, and the artist has evidently had difficulties with painting the four figures separately—they don't relate to each other or to the picture-space, and the overall effect is somewhat clumsy. Four boys tune their instruments or … The Musicians or Concert of Youths (c. 1595) is a painting by the Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610). Caravaggio was active in Rome, Naples, Malta, and Sicily from the early 1590s to 1610.

Caravaggio entered the household of Cardinal Francesco Maria Del Monte sometime in 1595, and The Musicians is thought to have been his … Musicians is one of artworks by Michelangelo Merisi de Caravaggio.

The picture is an allegory relating music to the sustenance of love in the same way that food is the sustenance of life.[2].

Posiblemente se trate de meros conocidos o amigos de Caravaggio, dado el gran realismo del cuadro. Artwork analysis, large resolution images, user comments, interesting facts and much more. It may appear later. Caravaggio has left few drawings, but this may not mean he did not make drawings, but rather he did not value them highly enough to preserve them carefully. Los rostros de dos jóvenes denotan un gran esfuerzo puesto en su obra, como se advierte en la concentración del primer joven de derecha a izquierda, absorto en sus pensamientos. Con este cuadro, además, inicia la tradición de autorretratarse a menudo en sus obras, como lo hace en el joven de la derecha con el rostro girado hacia el espectador. Posiblemente se trate de meros conocidos o amigos de Caravaggio, dado el gran realismo del cuadro. Caravaggio usaría, a partir de esta obra, el tema de la música en sus cuadros.